... for a cold steel rail?
Japan's rampant, runaway capitalism knows no bounds, and it certainly has little respect for Japan's traditional roots. Alex Kerr has already well-documented Japan's love affair with concrete, outlining the worrying dedication with which the government has seen fit to literally line the coast of this once paradisical island with miles of tarmac, made all the worse by the presence of tetrapods designed supposedly for the protection of Japan's coastal towns. But if one has to knock down, deforest and "modernise" the coastline beyond all recognition in order to save it, you've already done far worse than any tidal damage could hope to.
Japan is rife with these ludicrous policies which are the environmental equivalent of the famous Vietnam war doctrine "Bomb the village in order to save it." In a similar move, Japan is worryingly attached to the idea of digging up forests, drowning the coastline in murky grey slabs, and dropping tetrapods like carpet bombs in order to "save" the very vistas and coasts that are being ruined by such actions. Obviously most post-industrial countries, if not all, have sacrificed much of their indigenous habitats for the sake of "progress", but nowhere has it been done with such tenacity and wilful abandon as in Japan.
It is sad to think that a country that has its traditions so firmly intertwined with its natural habitat would so willingly destroy it for the sake of modernisation; modernisation at any cost. And so now it is sad to see that plans for a new resort that will decimate acres of precious coral reef as well as much of the mainland has been given the go ahead in Okinawa, perhaps one of the few areas of Japan that still remains relatively untouched (relative to the sprawling neon-concrete monster that is Tokyo). An area so unique that it may as well be a country in itself, it's all the more saddening to know that the concrete tide has reached so far.
Even more worrying is the tacit, and sometimes explicit, acceptance of this ugly trend of superficial modernisation sweeping the land of the rising sun. Many people believe the tetrapods being rained down on Japan's shores to be beautiful structures worthy of artistic merit. One only has to see a beach lined with these concrete monsters to realise that such a stance is utterly ludicrous. Nevertheless, one suspects that given the Japanese tendency to adhere to its cultural pillar of 建前（たてまえ・tatemae - not causing disruption or showing extreme emotion in public), if the government says it needs to concrete over every Sakura blossom in the name of the country's progress, most people would allow it to happen.
One can only hope that the current economic crisis might cause some in higher places to have second thoughts about the necessity of a concrete addiction. This is, however, unlikely. The relentless destruction of natural habitats is now tied into the economy to such an extent that it would be financially and politically detrimental for Japan to stop building over things. It has literally developed a dependency on wiping out much of its natural past.
